Said to be cool Inside/Out movie
Movie Premier in 1997.
DOWNLOAD Inside/Out NOW!
Color Info: Color
Countries: USA
Languages: English
Runtimes: 115
Tech Info: OFM:35 mm, PCS:Super 35, PFM:35 mm, RAT:2.35 : 1
Release Dates: Canada:7 September 1997, USA:15 January 1999
In movie played:
David Roland Frank (actor)
Mikkel Gaup (actor)
Birth Notes: Alta, Norway
Father of Maiken Gaup.
Birth Date: 27 February 1968
Tom Gilroy (actor)
Articles: "IFCRant" (US), Sept/Oct 2000, Iss. 3, pg. 15, by: Eugene Hernandez, "Springing Forward"
Interviews: "Filmmaker" (USA), 2000, Vol. 8, Iss. 2, pg. 72-74, by: Scott Macaulay, "Four Seasons"
Frédéric Pierrot (actor)
Birth Notes: Boulogne-Billancourt, Ile de France , France
Birth Date: 17 September 1960
Steven Watkins (actor)
Articles: "The New York Times" (USA), 16 September 2003, pg. 2, by: Anna Kisselgoff, "Katherine Dunham's Legacy, Visible in Youth and Age"
Nick Names: Watt, Swat, Steve Congaree, Congaree
Steven A. Watkins be the eldest of three boy, his father a Physician and mother a Music Professor. Born and raise in Washington, DC, he attend high-ranking institution at the The Sidwell Friends School. His mother qualified him music, trumpet and baby grand via ability of a boy. A graduate of Princeton University in Economics and Politics, it be here that he also discovered his liking and talent in acting, impelled by a tutor to follow it professionally. After graduate, Steven Anthony return to his hometown of Washington, DC and "shed" by the board, in work in the district theater; his first acting career in Eric Overmeyer's "The Heliotrope Bouquet by Scott Joplin". During this incident he also studied at The DC Shakespeare Theatre and take classes at Howard University beside the serious Al Freeman who recommended he audition all for The Actors Studio Graduate Program in New York City. It was at The Actors Studio where on earth Steven flourish both as an artist and a magazine columnist. He in a while land the front role in his first facet engagement, "Inside/Out," executive produced by fabulous French filmmaker Jean Luc Godard. Watkins consider since play numerous chapter role from the alias role of Othello, Off-Broadway to the stage premiere of the role of Zampano for which he was mentored by Anthony Quinn who originate the role in Fellini's "La Strada." Steven A. Watkins is the co-founder and Artistic Director of The Pangea Theatre Company along with the behind Miss Katherine Dunham and Wynton Marsalis.
Height: 6' 3 1/2"
Birth Notes: Washington, District of Columbia, USA
Birth Name: Watkins, Steven Anthony
Went to same seminary via favour of two ex Presidents daughters...first he be encircled by like peas in a pod elementary school advocate as Amy Carter, President Jimmy Carter's daughter, where on earth bodyguards attend their classes, and consequently President Bill Clinton's daughter Chelsea, also attended his same glorious school, The Sidwell Friends School "Quakers" in Washington, DC..., Wrote, Directed and Produced through Pangea Theatre company a "Broadway Tribute to Katherine Dunham: A 200 year anniversary of Haitin Independence," with Ossie Davis and Ruby Dee, Wynton Marsalis, Edwidge Danticat, Carmen DeLavalade. This Broadway show was reviewed glowingly on the front page Arts section of the New York Times.
Birth Date: 25 December 1967
Bérangère Allaux (actress)
Stefania Rocca (actress)
Birth Notes: Turin, Piedmont, Italy
Sister of 'Silvia Rocca' (qv)., Expecting her first child with Carlo Capasa, her companion of two years. (June 2007)., Gave birth to her first child, Leone, on October 2007.
Birth Date: 24 April 1971
J.C. Davidson (producer)
Is good friends with 'Kim Poirier' (qv).
J.K. Eareckson (producer)
Thomas Garvin (producer)
Mr. Garvin teaches a graduate-level course in Independent Filmmaking at UCLA's School of Theatre, Film and Television, with Sundance Film Festival Coordinator 'Geoff Gilmore' (qv). {{Mr. Bruin}}
Jean-Luc Godard (producer)
Articles: "The New York Times" (USA), 9 March 2008, Vol. 157, Iss. 52,2444, pg. AR15, by: Terrence Rafferty, "Man, Godard and Nature (and Bardot, Too)", "The Village Voice" (USA), 10 October 2007, by: J. Hoberman, "Blow It Up", "Mojo" (UK), June 2006, Iss. 151, pg. 130, by: Keith Cameron, "The philosopher's Stones: At last, both versions of revolutionary French director Jean-Luc Godard's notorious Stones movie are available together. But what can it all mean?", "Film Comment" (USA), January 2005, Vol. 41, Iss. 1, pg. 34-36+39+42-43, "Chapter and Verse: Richard Combs and Raymond Durgnat on the art of reading Jean-Luc Godard", "Stop Smiling" (USA), 2005, Iss. 23, pg. 85, by: Michael Joshua Rowin, "Weekend In Hell", "The Washington Post" (USA), 5 December 2004, Vol. 127, Iss. 366, pg. N3, by: Desson Thomson, "Godard, The Old Pro Of France's New Wave", "Black Book" (USA), December 2004, Iss. 36, by: Richard Hell, "'Hell at the Movies' #5: A new masterpiece from an old master, Jean Luc Godard's 'Notre Musique' is 79 minutes of heaven, hell, and purgatory", "Film Comment" (USA), January 2004, Vol. 40, Iss. 1, pg. 76, by: J. Hoberman, "Vive La Resistance!", "Film Comment" (USA), September 2003, Vol. 39, Iss. 5, pg. 14-15, by: Frederic Bonnaud, "In His New Video Essay Godard Rediscovers The Joy Of Being Swiss", "Film Comment" (USA), November 2001, Vol. 37, Iss. 6, pg. 14, by: Chris Norris, "'Sound': Godard's 'In Praise of Love'", "International Herald Tribune" (USA), 17 May 2001, Iss. 36763, pg. 24, by: Joan Dupont, "The Return of Godard", "TV Guia" (Portugal), 1997, Iss. 981, pg. 90, "Film Comment" (USA), January 1991, Vol. 27, Iss. 1, pg. 63-66, by: Robert Stam, "The Lake, The Trees", "Oui" (USA), December 1984, Vol. 13, Iss. 12, pg. 77, by: James Verniere, "Godard's French Kiss"
Was voted the 31st Greatest Director of all time by Entertainment Weekly., Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 392-400. New York: The H.W. Wilson Company, 1988., A huge fan of American auteur 'Nicholas Ray' (qv) and famously said that "the cinema is Nicholas Ray."., Was offered the opportunity to direct "Bonnie and Clyde" (1967) after 'François Truffaut' (qv) declined., Had a falling out with 'Francois Truffaut' after Truffaut made it clear that he considered Godard overly cynical in his views and claimed that Godard tried to put down other filmmakers only to raise regard of his own work., As of the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), 8 of Godard's films are listed: _À bout de souffle (1960)_ (qv), _Vivre sa vie: Film en douze tableaux (1962)_ (qv), _Le mépris (1963)_ (qv), _Alphaville, une étrange aventure de Lemmy Caution (1965)_ (qv), _Pierrot le fou (1965)_ (qv), _Masculin féminin: 15 faits précis (1966)_ (qv), _2 ou 3 choses que je sais d'elle (1967)_ (qv) and _Week End (1967)_ (qv).
Pictorials: "Télépro" (Belgium), 13 May 2004, Iss. 2619, pg. 24-25, "Les chocs et les émotions du Festival de Cannes", "Ciné-Revue" (Belgium), 30 May 1968, Vol. 48, Iss. 22, pg. 6-10, by: J. v. Cottom and Paul Louis, "Cannes 1968 : Toutes les photos du scandale du Festival"
Nick Names: JLG
Interviews: "Film Comment" (USA), January 2005, Vol. 41, Iss. 1, pg. 37+40-41, "Occupational Hazards: JLG at work, as told to Frederic Bonnaud", "Filmvilág" (Hungary), September 2001, Vol. 44, Iss. 9, pg. 20-21, by: Jacques Drillon/Jacques Mancière/Charles Tesson, "Valami mindig történik", "Film" (West Germany), November 1967, Vol. 5, Iss. 11, pg. 12-16, by: Gideon Bachmann, ""Der Mensch ist Gott, weil Gott keibne Ideale hat"", "Lui" (France), July 1965, Iss. 19, pg. 96-97 + 99, by: René Château, "L'Helvétie pour une lanterne"
Jean-Luc Godard be born encircled by Paris done December 3, 1930, the second of four household in a bourgeois Franco-Swiss family. His father was a broad practitioner who connected a sheltered clinic, and his mother come from an preeminent family of Swiss bankers. During World War II, Godard become a naturalize citizen of Switzerland, and attend the university in Nyons ( Switzerland ). His parents broken uphill in 1948, at which juncture he return to Paris to attend the Lycée Rohmer. In 1949, he studied at the Sorbonne to concoct in favour of a jet aircraft in ethnology. However, it was during this time that he switch on attending the 'François Truffaut' (qv), 'Jacques Rivette' (qv), and 'Eric Rohmer' (qv). In 1950, Godard beside Rivette and Rohmer found a "Gazette du cinéma", which published five issues vis-a-vis May and November. He write a variety of article for the memoir, more often than not using the nom de plume 'Hans Lucas'. After engaged on and finance two films via Rivette and Rohmer, Godard's family gash bad their pecuniary stand by in 1951, and he resorted to a Bohemian lifestyle that built-in stealing silage and resources when obligatory. In January 1952 he began inscription motion image binding fluff for 'Les cahiers du cinéma'. Later that year he traveled to North and South America with his father, and attempt to be compensated his unproved film (of which solely a track shot from a motor was ever accomplished). In 1953, he returned to Paris briefly in days gone by acquire a chore by agency of a construction member of staff on a bank hang over in Switzerland. With the money from the job, he made a epigrammatic film in 1954 something approaching the holiday camp of the dam call _Opération béton (1954)_ (Operation Concrete). Later that year, Godard's mother was kill in a motor scooter lay a hand on of good luck in Switzerland. In 1956, Godard began writing again for 'Les cahiers du cinéma' also as for the journal "Arts". In 1957, Godard work as the compress attache for "Artistes Associés", and made his first French film appropriate _Tous les garçons s'appellent Patrick (1957) (Charlotte et Véronique). In 1958, he shot _Charlotte et son Jules (1960)_ (qv) (Charlotte and Her Boyfriend), his personal homage to Jean Cocteau. Later that year, he take untouched demo of a overflow in Paris shot by Truffaut and edited a film called _Une histoire d'eau (1961)_ (qv) (A Story of Water) which was an homage to 'Mack Sennett' (qv). In 1959, he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a sneak column for the journal, but also spent considerably time writing scenario for films and a article of contrary writings which placed him emphatically in the centre of the 'nouvelle vague' luxurious, precursing the French New Wave. It was also this year that Godard began tough grind on _À bout de souffle (1960)_ (qv) (Breathless). In 1960, Godard married 'Anna Karina' (qv) in Switzerland. In April and May, he shot _Le petit soldat (1963)_ (qv) in Geneva and was prepare the film for a drip bundle free in Paris. However, French censor disqualified the film in the red to its reference to the Algerian time of war, and it was not shown until 1963. In March, 1960, _À bout de souffle (1960)_ (qv) premiered in Paris. It was greatly jubilant both with the film critic and at the strongbox department, and became a high skewer film in the French New Wave with its references to American showiness, its saw-like editing, and overall romantic/cinephilia deportment to filmmaking. The film propel the popularity of the mannish head 'Jean-Paul Belmondo' (qv) with European audience. In 1961, Godard shot _Une femme est une femme (1961)_ (qv) which was his first film using color wide-screen farm animals. Later that year, he participate in the convivial society try to remake the film _Les sept péchés capitaux (1962)_ (qv), which was herald as an historic project in optical group effort. In 1962, Godard shot _Vivre sa try to win: Film en douze tableau (1962)_ (qv) in Paris, his first commercial glory since _À bout de souffle (1960)_ (qv). Later that year, he shot a segment entitled Le Nouveau Monde for the collective film RoGoPaG, another important work in the times of yore of collaborative multiple-authored art. In 1963, Godard completed a film in homage to 'Jean Vigo' (qv) entitled _Les carabiniers (1963)_ (qv) which was a breath-taking remains with the community and stirred incensed controversy with film critics. Also this year, he worked on a twosome of collective films: _Les plus belles escroqueries du monde (1964)_ (qv) (from which Godard's progression was following cut) and _Paris vu par... (1965)_ (qv). In 1964, Godard and his wife 'Anna Karina' (qv) formed their own amount produced institute called 'Anouchka Films.' They shot a film called _Une femme mariée (1964)_ which censors inhibited them to re-edit due to a topless sunbathe scene shot by 'Jacques Rozier' (qv). The censors also made Godard rise and fall the nickname to _Une femme mariée (1964)_ by this means as to gone the manifestation that this 'scandalous' female was the exemplary French wife. Later in the year, two French box programs be produced in ardour to Godard's work. In the spring of 1965, Godard shot _Alphaville, une étrange aventure de Lemmy Caution (1965)_ (qv) in Paris; in the summer, he shot _Pierrot le fou (1965)_ (qv) in Paris and the south of France; shortly thereafter, he and 'Anna Karina' (qv) broken up. Following their divorce, Godard shot the film _Made in U.S.A. (1966)_ (qv), _Deux ou trois choses que je sais d'elle (1966), L'amour en l'an 2000 (sequel to Alphaville shot as a doodle for the collective film L'amour travers les ages). In 1967, Godard shot _La chinoise (1967)_ (qv) in Paris with the actress 'Anne Wiazemsky' (qv), who was the granddaughter of the French novelist 'François Mauriac' (qv). During the making of the film, Godard and Wiazemsky were married in Paris. Later in the year, he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film _Loin du Vietnam (1967)_ (qv). He instead shot the sequence in Paris, entitled Camera-Oeil. Also during 1967, Godard participated (as the only Frenchman) on an Italian collective film called _Amore e rabbia (1969)_ (qv). In 1968, Godard was commissioned by French television to make the film _Gai savoir, Le (1968)_ . However, television producers were outraged by the feature Godard produced, and they refuse to show it. In May of 1968, Godard was furious with the shooting of Henri Langlois as the organizer of the French 'Jean-Pierre Gorin' (qv) to gel the 'Dziga-Vertov' compulsion group. Godard became with time anxious with socialist solution to an dreamer cinema, severely in providing the proletariat with the net of production and dissemination. Along with other militantly embassy filmmakers in the Dziga-Vertov group, Godard published a phase of 'Ciné-Tracts' outlining these viewpoint. In the Summer of 1968, Godard travel to New York City and Berkeley California to shoot the film One American Movie, which was never completed. In September he made a passage to Canada to initiate another film called Communication(s) which was also gone curtailed, and later made a stop by to Cuba before returning to France. In 1969, Godard traveled to England where on earth he made the film British Sounds for BBC Weekend Television, which later refused to show it. In the deferred Spring he traveled with the Dziga-Vertov group to Prague to clandestinely shoot the film Pravda. Later that year he shot Lotte in Italia (Struggle for Italy) for Italian television. It was never shown. In 1970, Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled Jusque à la victoire (Until Victory). Later that year he traveled to dozens of American university testing to bump up money for the film. In nastiness of his bitter work, it was never released.
Gill Holland (producer)
Robert Sutton (producer)
Rob Tregenza (writer)
Eareckson Mary Tregenza (composer)
Rob Tregenza (director)
DOWNLOAD Inside/Out NOW!By the way This movie in the Internet is found by requests independent-film
